The Toronto Maple Leafs have the honor of being the last team during the “Original Six Era” to win the Stanley Cup — and they have Jim Pappin to thank for the large part he played. The Leafs beat the Montreal Canadiens four games to two in the 1967 Stanley Cup Finals. Pappin led all Maple Leafs in scoring during the playoffs, with seven goals and eight assists for 15 points in 12 games.
Championships seemed to follow Pappin wherever he went during the early part of his career. In 1964, he won his first Stanley Cup with the Leafs. In 1965 and 1966, he won back-to-back Calder Cup Championships with the Rochester Americans of the AHL. After his second Stanley Cup Championship in 1967, Pappin won another Calder Cup in 1968; that’s five championships in five seasons.
Pappin was later traded to the Chicago Black Hawks, where he was consistently one of the team’s top scorers during the early-to-mid 1970s, and played in five NHL All-Star Games.
Recently, Pappin was signing autographs at AU Sports, a sports card and memorabilia store near Chicago, and graciously answered a few questions about his career.
Sal Barry: You led the Maple Leafs in scoring during the playoffs in 1967 — including four goals and six assists in six games during the Finals. What went right for you in the playoffs?
Jim Pappin: If you work hard in the playoffs, you don’t have to work in the summertime (laughs). They always say, if you play hard and win the Championship, you get bottled beer instead of draft beer. It’s a good incentive.
Former NHL defenseman Greg Smyth passed away earlier this month after a long battle with cancer. He was 51 years old. While many remember “Bird Dog” for his tough play and willingness to drop the gloves, there is a little-known fact about Smyth that truly made him unique. For a short time during the 1992-93 season, Smyth opted to play without a helmet.
Expectations were not very high for the United States Men’s Ice Hockey Team during the 1992 Winter Olympics, but for a two-week span, the group of college players and minor leaguers captured the hearts and minds of Americans watching back home.
After the U.S. rocked the hockey world at the 1980 Olympics with its “Miracle on Ice” win over the Soviet Union and subsequent gold medal victory, Americans hoped for a repeat. It wouldn’t happen that decade, though, as the U.S. finished 7th out of 12 teams in 1984 and again in 1988.
While the U.S. team may have been projected to be a doormat at the 1992 Olympics, the team proved the world wrong. Led by goaltender Ray Leblanc, an unlikely hero between the pipes, the ’92 team was the U.S.’s “Near-Miracle on Ice” – a team that was unstoppable in its first six games, only to be halted by the tournament’s eventual champion.
Part I – The Long Road to Méribel
The 1992 U.S. Olympic Team was a bricolage of college standouts and minor pro players, with a few NHLers mixed in. Building the team was an ongoing process that started in the summer of 1991 and went until a few weeks before the Olympics started in February of 1992.
Bret Hedican | #24 | Defense I had a really good junior year at St. Cloud State University. I was on spring break, of all things, and I got a call from my parents. They said USA Hockey called, and that they wanted me to represent the Americans in Russia for a tournament called the Pravda Cup. I was blown away. I never – not once – had been asked to represent the United States in any national tournament. I had four of the best games of my life. I gave everything I had, because I knew it was my chance of a lifetime. The coaches were Dave Peterson and Dean Blais, and they asked me to try out for the National Team. I left college my senior year to make the National Team, in hopes to make the Olympic Team.
David Emma | #10 | Forward After I won the Hobey [Baker Award, as the NCAA’s best player], I went right to the tryouts.
Shawn McEachern | #15 | Forward We had tryouts in the summertime. That’s the way it worked with the Olympic teams back then. You went to tryouts for the National Team, and then you played for the National Team. And then you’d play a season against some NHL teams and some college and minor league teams. And then, just before the Olympics, they cut it down. We traveled around for about six months with the National Team.
Keith Tkachuk | #17 | Forward This was before I was a professional. Because I was so young, 19 years old, I wasn’t expecting to make the team. I guess I had a good tryout. I was already enrolled to go back to school that fall, but luckily, I made it, and kept on making it, and got to go play in the Olympics.
Randy Walker had the best summer job a 16-year old boy could hope for. Back in the summer of 1984, MGM was filming the hockey movie Youngblood in his hometown of Toronto. Walker went with some of his friends to the audition because they wanted the free ice time, but he may have skated off with the best part – as one of the hockey doubles for the film’s star, Rob Lowe.
Remember that scene when Dean Youngblood scores a sweet wraparound goal and then gets clocked by Racki during the Mustangs’ tryout? Or when Youngblood gets crushed into the boards by teammate Derek Sutton during practice? Or when Youngblood streaks down the ice and flips a backhander over the outstretched leg of the Thunder Bay Bombers goalie? That was all Walker. Obviously, we see shots of Rob Lowe’s face – usually from the chest up – in those scenes. Walker was one of the people who made the hockey action believable.
But as a double, Walker had other, less glamorous tasks that you did not see. Many times, a double must stay in place – sometimes even lying under a championship figure skater — while the crew sets up the lights and cameras and frame the shot. Then the real actors step in when the filming starts.
Today, Walker is a police dispatcher and 911 operator in Spotswood, New Jersey. He is a scout for the Sioux City Musketeers of the USHL and for the Amarillo Bulls of the NAHL, and was a youth hockey coach for 16 years. Working on the set of Youngblood may have been his summer job from over 30 years ago, yet Walker remembers it like it was yesterday. He spoke with me recently so we could geek out over his memories of working on the greatest hockey movie from the 1980s.
Sal Barry: You were pretty young when you worked on Youngblood. How did you get the job?
Randy Walker: I was 16 and played on a really good midget hockey team called the Toronto Red Wings. We won the championship. And there was a Junior B team called the Henry Carr Crusaders. They were also champions in their league. I don’t know how, but the movie found this guy named Charles Rosart.
SB: You mean “Masher?”
RW: Yeah, we called him Masher. I don’t know how they found Masher, but he called our coach and Henry Carr’s coach and got all our numbers. He called us and told us to go to the Lakeshore Arena because they were shooting some movie. Nobody in their right mind would ever believe anything Masher said, but the thing that got us to go to the rink was that we were going to play shinny with guys on the [OHL] Toronto Marlies, like Peter Zezel and Steve Thomas. We looked up to those guys. We were midget players, and those guys were in major junior.
So, it was June, school’s out, and we were going to get on the ice and play shinny with the Marlies. We thought this was going to be for a hockey instructional video. Masher told us it was for a movie, and we thought he was full of crap. When we got there, the buzz started going around that it was a Hollywood movie.
Dale Morrisey is a filmmaker with a passion for hockey documentaries. His latest work, entitled “Only the Dead Know the Brooklyn Americans,” takes a long look at a long-forgotten NHL team. The Americans pre-date the “Original Six” Era and contributed more to the long-term success of the NHL than most would credit them for. At the same time, the Americans were a horrible team, struggling for years, first in New York City and then finally Brooklyn.
Morrisey, 45, was born in Oshawa and is, in his words, “a long-suffering Maple Leafs fan.” He previously wrote and directed documentaries “The Father of Hockey” (2014) and “Hockey’s Lost Boy” (2016). Recently, he spoke about his newest work, and why anyone should care about a team that’s been dead for over 75 years.
Sal Barry: Please explain the meaning behind your film’s title, “Only the Dead Know the Brooklyn Americans.”
Dale Morrisey: That’s from Thomas Wolfe’s short story “Only the Dead Know Brooklyn,” which appeared in the New Yorker magazine in 1935. The gist of the story is that it takes an entire lifetime to know Brooklyn, and even then, you wouldn’t know all of it. So, we played off of that, because the Brooklyn Americans area forgotten team, and only someone who was around back then would really know and understand who they were.
SB: The Americans have been gone for how long now?
DM: About 76 years.
SB: Why would anyone care to know about the Americans today?
A few weeks ago, Puck Junk got some internet buzz with our Best of the Worst article about this year’s Upper Deck Series Two. That caught the busy eyes of our cardboard muses at Upper Deck, who enjoyed the light-hearted ribbing we gave them. We asked if we could interview one of their photo editors, because we want to know what goes into the production of hockey cards. What are some of the challenges that Upper Deck employees face to make cards that they’d be proud of?
Fortunately, Upper Deck photo editor Austin Castillo was kind enough to play Twenty(ish) Questions with us via email, and provided some pretty insightful and provocative things about the world of cardboard sports icons. Where do their new product ideas come from? What kind of guidelines do they follow for selecting card photos? Let’s find out!
Jim Howard: What is your job and what are your duties with Upper Deck?
Austin Castillo: My job title is Photo Editor. I maintain a huge archive of digital and film assets (slides and negatives) and pick the photos that go on cards, as well as some Photoshop work (CMYK conversion, color correction, etc.).
JH: How did you find your way into this field?
AC: I studied photography in college and then found the job via Indeed.
JH: To what extent do you edit the pictures? Obviously color, contrast and brightness are tweaked as needed, but I’ve seen older cards where the ads on the boards were removed or altered.
Bill Keenan is not yet a household name for hockey fans, but that might soon change. He played Division 1 college hockey at Harvard, but injuries limited him to just six games. After that, Keenan headed overseas to play minor league hockey in Belgium, Germany and Sweden.
He retired in 2012 and soon started writing his autobiography entitled “Odd Man Rush: A Harvard Kid’s Hockey Odyssey from Central Park to Somewhere in Sweden–with Stops Along the Way” (reviewed here). It is a fun, humorous tale of a young man trying to make a comeback in a foreign land. Others have apparently found Keenan’s tale entertaining, too. “Odd Man Rush” is currently ranked 23rd overall in the Hockey Biographies category on Amazon.com.
Keenan is back in college, studying business, and is a contributor to Stan Fischler’s newsletter, “The Fischler Report.” I recently spoke with Keenan about writing his book, the highs and lows of his career, playing against a 10-year old Sidney Crosby and why he decided to retire. And if you haven’t read “Odd Man Rush” yet, don’t worry — this interview contains no spoilers.
Sal Barry: I thoroughly enjoyed “Odd Man Rush” and did not want it to end.
Bill Keenan: That’s probably the biggest compliment I could imagine. I know that feeling, certainly not with my own book, but with some of the books that I like a lot.
SB: I didn’t know who Bill Keenan was before I got a copy of your book. Why would someone want to read “Odd Man Rush?”
Chicago Blackhawks prospect Vince Hinostroza became part of an exclusive group when he made his NHL debut earlier this season. Born in the town of Barltett, IL — about a 40 minute drive from Chicago — he became the latest player from the Chicago area to wear the famous Indian-head sweater. Other players in that club include former Blackhawks Chris Chelios, Ed Olczyk and Craig Anderson; current Blackhawks goaltender Scott Darling; and Rockford IceHogs teammate Ryan Hartman.
Hinostroza, a forward, was drafted by the Blackhawks in the 6th round (169th overall) in the 2012 NHL Draft. During the 2012-13 season, he played Division 1 NCAA hockey for Notre Dame and was named to Hockey East’s All-Rookie Team. The following year, Hinostroza led the team in scoring and was named to Hockey East’s First All-Star Team. He is currently in his first season of pro hockey with the AHL’s Rockford IceHogs, where he is fifth in scoring. He was also called up for a four-game stint with the Blackhawks.
I spoke with Hinostroza about his college days, adapting to new teammates and being on the ice at the United Center instead of looking down at it from the stands.
Sal Barry: What was your earliest hockey memory?
Vince Hinostroza: When I was three years old, I started skating with my cousin and my dad at Fox Valley Ice Arena. Skating without a stick. And when I was four, I remember joining my first team.
SB: At four years old? Do you remember how you did?
VH: I remember stepping off of the bench and coming onto the ice for my first shift, ever, actually.
VH: Well, I remember my parents telling me about it.
Mark Gessner has scored his dream role. A lifelong hockey fan, the New York-based actor plays Dickie Litski, a hard-drinking hockey player, on the new IFC comedy series “Benders.” Or more specifically, he plays a really bad hockey player on a really bad beer league hockey team. Ironic, considering that Gessner, 35, has played hockey since his childhood. “Benders,” produced by Dennis Leary, follows four friends who are obsessed with two things: playing hockey and getting drunk at the bar afterward.
Gessner was both an actor and a hockey player during his high school days. He has appeared on “Orange is the New Black,” “Veep,” “The Blacklist” and “Law and Order: SVU,” among other shows. Gessner recently talked with us about his role on “Benders,” playing high school hockey and the rigors of making rec league hockey look bad.
Sal Barry: I’ve really enjoyed “Benders” so far. I play beer league hockey, and the jokes really hit home.
Mark Gessner: Nice. I’m glad you’re enjoying it.
SB: How would you describe “Benders” to someone who has not yet seen the show?
MG: Basically, “Benders” is about four guys who have totally different jobs and are from totally different walks of life — but the one thing they can all agree on is that they love playing for their horrendous men’s league hockey team. It’s where they all intersect and where they all get along, and their friendship extends off the ice, as you often find in real hockey settings. It’s one of those sports where you become tight-knit playing it.
My costar, Andrew Schultz (Paul on “Benders”), came up with this analogy: it’s like “Entourage,” but as if they never left Queens, and then crossed that with a show like “The League,” where there’s a shared interest in a sport.
Blackhawks fans are a passionate bunch, so it takes something above and beyond your typical jersey or face paint to stand out in this sea of red. But lifelong ‘Hawks fan Michael Rigitano is anything but typical. After the team won the Stanley Cup in 2010, he exceeded the normal boundaries of fandom and descended into something much deeper. On a dare, he built a life-size replica of Lord Stanley’s Cup — using bottle caps. Many, many thousands of bottle caps.
Since then, the Bottle Cap Stanley Cup has had a life of its own. Rigitano — a college student who also teaches children and adults how to play hockey — and his trophy were guests at the United Center and have appeared on TV, on the radio and in newspapers around Chicago. His creation helped raise money for breast cancer research at a Chicago Steel (USHL) game. The NHL even arranged for the “Cap Cup,” as he calls it, to be photographed with the real deal.
I spoke with Rigitano to learn what drove him to undertake such a monumental task.
Sal Barry: I’m going to just cut right to it — why did you make a replica of the Stanley Cup out of bottle caps?